The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Participate in pre-production activities
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Clarify aspects of production briefs and production values in consultation with appropriate personnel Completed |
Evidence:
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Investigate original choreographic work in screen productions taking into account the various advantages and limitations of the medium Completed |
Evidence:
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Research style and other aspects of dance appropriate to the content or story-line of productions Completed |
Evidence:
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Organise resources in line with production requirements Completed |
Evidence:
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Establish a schedule with appropriate personnel for viewing material to keep track of implications for composing dance elements Completed |
Evidence:
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Generate ideas for choreography
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Prepare a plan for completing work in line with the brief and negotiate contracts as required Completed |
Evidence:
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Conduct briefings for other people involved in the process as required Completed |
Evidence:
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Research aspects of the production appropriate to the content or story-line to inform ideas Completed |
Evidence:
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Generate a range of ideas, movements or starting points and experiment with options that communicate themes Completed |
Evidence:
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Investigate the potential of structural elements for achieving desired effects Completed |
Evidence:
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Transform choreographic ideas into the stage or screen setting Completed |
Evidence:
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Discuss plan with appropriate personnel and refine as required Completed |
Evidence:
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Create original choreography
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Apply a range of advanced composition techniques to organise dance elements into working versions of themes that support productions Completed |
Evidence:
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Collaborate in the construction of musical and choreographic material to create choreography that can respond to or counterpoint musical rhythmic structures Completed |
Evidence:
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Collaborate with appropriate personnel on technical production of performance as part of the choreographic process Completed |
Evidence:
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Incorporate safe dance practices through phases of the creative process Completed |
Evidence:
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Finalise choreography using dance notation Completed |
Evidence:
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Produce work for public performances
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Clearly articulate the ideas a work is presenting, and the methodology used to develop the work, to a level of public performance Completed |
Evidence:
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Effectively direct and rehearse with dancers and technicians Completed |
Evidence:
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Refine and stage the piece for a defined performance space Completed |
Evidence:
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View work with appropriate personnel and seek and apply feedback on how well composition meets creative and technical requirements Completed |
Evidence:
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Incorporate final ideas and suggestions into final compositions Completed |
Evidence:
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Perform piece to an audience convincingly and consistently over several performances with fresh energy, commitment and focus Completed |
Evidence:
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Evaluate public performances
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Discuss aspects of the composition process that worked well and what could be improved with appropriate personnel Completed |
Evidence:
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Evaluate the quality and success of the choreography in meeting production requirements and planned outcomes Completed |
Evidence:
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Evaluate own role in operations and note areas for improvement Completed |
Evidence:
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Provide feedback to team members on their performance as required Completed |
Evidence:
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Use results of evaluation to improve own work practices Completed |
Evidence:
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